List of Articles نماد

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  1 - Nima the Objector, Hermeneutic Interpretation of “Kak-kei”
  فاطمه  راکعی
  “Kak-kei” is one of the symbolic poems of Nima whose date of composition is not mentioned by Nima; however, Nima-researchers has lodged it among two poems named “Barf” (Snow) and “Pass-ha az Shab Gozashte” (long hours has passed from the night) which are respectively d More

  “Kak-kei” is one of the symbolic poems of Nima whose date of composition is not mentioned by Nima; however, Nima-researchers has lodged it among two poems named “Barf” (Snow) and “Pass-ha az Shab Gozashte” (long hours has passed from the night) which are respectively dated from 1955 and winter 1957. Structure, message and content of the poem itself prove this too. The author in this article, applying a method using Schleiermacher ideas and studying Nima’s works and works about Nima and reviewing social, political and cultural conditions and situations after the coup d'etat until the death of Nima, attempts to interpret “Kak-kei”. The author considers attempting to reach the given meaning of poet as the tasks of Interpreter in symbolic poems in which the poet tries to give social-political message; whilst due to the semantic leakage from symbol and the significance of semantic horizon of the Interpreter, the author emphasizes on the different interpretations of such poems, having pure linguistic purposes in mind. Manuscript profile
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  2 - The Function of Tulip from Dictionary Sense to Symbolic Meaning
  محرم  رضایتی‌‌کيشه‌‌خاله فیروز  فاضلی اسماعیل  نقدی
  Symbol is a sign not only refers to its sense but also to some contents beyond its literal meaning. To be more exact about the symbols, they are cited into the dictionaries by their literal sense, not by their innovative content in the aesthetic domain of poetry. This More

  Symbol is a sign not only refers to its sense but also to some contents beyond its literal meaning. To be more exact about the symbols, they are cited into the dictionaries by their literal sense, not by their innovative content in the aesthetic domain of poetry. This paper aims to explain the contrast between the sense of the symbols in the dictionaries and their novel meaning in the poetry of different period of time in terms of the various styles. In this research, a short introduction about the symbols as well as a literature review about the herbal symbols in the both eastern and western cultures is going to be rendered from philosophical, psychological and mythologist point of views. Then, the significance of the symbolic meaning and function of the words is discussed, while the meaning of tulip and its metaphoric extension is determined to be mentioned based on Manouchehri, Saadi, Saib and Sepehri’s poetry due to their being representatives for different poetic styles, such as Khorasani, Iraqi, Indian and modern poetry. The purpose of this investigation is to illustrate the semantic evolution of a word from its bounded sense to its extended and symbolic function. What is more, it aims to be evidence for the literary and artistic capacities and possibilities which leads to the creation and extension of the word’s meaning. Manuscript profile
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  3 - Study and Analysis of Symbolism in the Poetry of Qeysar Aminpour
  ali mohammadi جميله  زارعي
  Two types of symbol can be seen in Aminpour’s poetry: common symbols used in the Persian literature in general and the symbols the poet himself made and introduced to the Persian poetry. Though innovative, we should remember that it is the nature, and his religious beli More

  Two types of symbol can be seen in Aminpour’s poetry: common symbols used in the Persian literature in general and the symbols the poet himself made and introduced to the Persian poetry. Though innovative, we should remember that it is the nature, and his religious beliefs that feed them. Studying the symbols in Aminpour’s works we concluded the following: 1. Source of most symbols is religion. 2. The poem collection of “Breathing of the Morning” bears more symbols. 3. The words tulip; yellow, red, green, unripe, and … are of symbolic meanings in his poems. Manuscript profile
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  4 - Image and its Position in Iranian Portrait Painting
  جواد  عليمحمدي اردكاني مصطفی  گودرزی محسن  مراثی
  This article is an investigation into the position, importance, and effect of image on Iranian portrait painting. It is an intertextual analysis of Persian poetry and painting, focusing the elements of mysticism in both. The discussion is documented offering paintings More

  This article is an investigation into the position, importance, and effect of image on Iranian portrait painting. It is an intertextual analysis of Persian poetry and painting, focusing the elements of mysticism in both. The discussion is documented offering paintings from different Persian painting schools so that it can better show how this field of art has always used the element of image and mystical understanding to convey a figurative universe. The article, first, introduces image and its position in Iranian painting, then contrasts the figurative elements in both Persian poetry and portrait painting, and finally concludes that Persian painting, using institutionalized signs and symbols in poetry has created its own figurative and ideal human. This feature can be found in Persian painting up to the first half of Qajar reign in the 13th century A. H.. Manuscript profile
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  5 - An Investigation into How Animal Symbols Function in Poetry of Saib Tabrizi and Bidel Dehlawi
   
  The present article is a semiotic analysis of some animal symbols in poetry of Saib and Bidel, two prominent poets of ‘Indian poetic style’. Its main objective is to show how the symbols function in the structure of poetic language. Such symbols have repeatedly been use More

  The present article is a semiotic analysis of some animal symbols in poetry of Saib and Bidel, two prominent poets of ‘Indian poetic style’. Its main objective is to show how the symbols function in the structure of poetic language. Such symbols have repeatedly been used as motives in literary works in all history of literature, and accordingly caused shifts in their signification paradigms. The analysis is mainly aims at symbolic status of the signs, and the role they play in expansion of the semantic domain of the poems; it ends in formal classification of the symbols based on their possible significances in both communal mind and the poet’s mind. Manuscript profile
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  6 - The Government and Society in the Poetry and Thought of Farokhi Yazdi
  رسول  حسن‌زاده
  Mirza Mohammad Farokhi Yazdi is considered one of the famous poets of Persian proletarian literature. In the present article, we analyze Farokhi’s ideal governmtal system, show the changes of his political thought in different periods of his life, and study his ideal co More

  Mirza Mohammad Farokhi Yazdi is considered one of the famous poets of Persian proletarian literature. In the present article, we analyze Farokhi’s ideal governmtal system, show the changes of his political thought in different periods of his life, and study his ideal constitutional government, its foundations and principles, and the causes of its failure from the view of the poet himself. This will be followed by a survey to the motivations of Farokhi’s inclination to the thought of Constitutional Revolution, and his critical standpoint against authoritarianism or ‘authoritarian government’ and introducing republicanism. At last, we evaluate the causes and motivations of his advocacy of communist ideas and its various dimensions by reference to his written works, specially his poetrry. To show the depth of his political thoughts, we also study and analyze his use of the national-religious symbols, and the way he employs them in line with the realization of his thoughts. Manuscript profile
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  7 - The Transformation of Symbols in Contemporary Poetry
  حسن  شاهی‌پور Mohammad خسروی شکیب
  The symbols have the potential to change through time and history and revolve in concept and meaning. Symbolic tendency in the domain of contemporary literature is a result of the tyrannical situation and the dictator governments, added to the cautiousness and fear of m More

  The symbols have the potential to change through time and history and revolve in concept and meaning. Symbolic tendency in the domain of contemporary literature is a result of the tyrannical situation and the dictator governments, added to the cautiousness and fear of media censorship, and stylistic transformations. All this can be furthermore combined with the delicate attempts taken for artistic enrichment; known as ‘ambiguity’, while it also intends to make the reader participate in the reading process and literary creativity in order to gain further enjoyment. Poets who are capable of independent thinking and are innovatively creative, protect the symbols; and save them from daily obscenity and even gradual death and decadence. Nima and the followers of his literary theory emphasized two words; that is “balance” and “naturalness” in using the symbols. They made an effort to utilize the repetitive, old and obsolete symbols within new concepts in order to enrich poems; in addition to enriching their own stylistic theory. Some of the symbols enjoy a particular entity and internal value, due to their history or flexibility in conveying multiple meanings and also being more influential in different artistic levels; therefore we can regard them as super-symbols. For gaining a proper semantic concept of a literary work demands an appropriate interpretation and understanding of such super-symbols. “Water”, “ wind”, “ night”, “ wall”, “ mirror” etc are some of such symbols; frequently used in contemporary poetry. The transformation of these super-symbols is the main question of the present article. Manuscript profile
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  8 - “Moth” and “Siolisheh”; Two Symbols for One Situation; Paraphrase of Two Symbolic Poems by Nima Yushij
  فاطمه  راکعی
  In the symbolic paraphrase of Nima Youshij’s poetries, we already face this pre-assumption; that some of these poems have a social-political theme which the poet either could not or has chose not to express directly and clearly, therefore in order to convey these themes More

  In the symbolic paraphrase of Nima Youshij’s poetries, we already face this pre-assumption; that some of these poems have a social-political theme which the poet either could not or has chose not to express directly and clearly, therefore in order to convey these themes, he has resorted to poetic symbols. The author of this essay tries to approach the poet’s actual and intended concept and meaning as he created them through using the paraphrase methods of Schlamaikher (Shumaker) and his other fellow thinkers. For this purpose, by a constant and close study of the poet’s life, thoughts, works and the social-political situation related to Nima’s time, in addition to using the text as a guide, the researcher has reached this goal to a fair extent. In the present essay, two poems-“The Moth Close to the Beach” and “Siolishes” in which both enjoy a close atmosphere- and both mention someone tapping on the window of the poet’s room, are paraphrased. Also due to the manner in which the poet speaks in both cases, it is concluded that the symbols in “The Moth Close to the Beach” and “Siolishe”, both point to a similar situation or even the same case; where a person with communistic views hopes to creep in Nima’s house and so taps on the window of his house. This approach towards Nima’s symbolic works does not in any respect deny the reader-response approach towards literary texts, as the author of this essay finds it quite possible that even symbolic poems bear social and political motifs and therefore resemble various paraphrases within different approaches. Manuscript profile
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  9 - Eponym (Nambakhsh): Eponym (Nambakhsh): A kind of rhetoric in Persian language
  hosein ghorbanpoor elmira taslimi
  The eponym is a noun and an adjective that has become a concept. In fact, the concept has become one with the object, and nowis used in as aconcept that has been accepted by the collective subconscious.Unlike Metaphor, eponym is not used in literary language; rather it More

  The eponym is a noun and an adjective that has become a concept. In fact, the concept has become one with the object, and nowis used in as aconcept that has been accepted by the collective subconscious.Unlike Metaphor, eponym is not used in literary language; rather it is mostly used in common language; and contrary to metaphor, which requires a symmetrical understanding, eponym is rooted in the unconscious group of a particular people or culture.In fact, eponyms are stereotyped metaphors which understanding them depends on cultural similarity. Such words have been widely used in language; but in Persian, so far no research has been done on this genre. This research seeks to introduce eponym as a genre and also to classify such nouns based on their semantic domain and type of its usage.The method of this research has been qualitative and its data has been done based on descriptive-analytical method and using library study tools. The result of this division is putting eponyms in eight different groups: religious and non-religious, animals and people, positive and negative, politics and place. On the other hand, they have been put in six categories: names of persons, animals, place, accessories related to religious and mythical elders, and in the meanings of virtual worlds and adjective. The most frequent eponyms in Persian are special nouns that have become adjectives such as Iblis and the Antichrist. Some eponyms are animals that have become adjectivessuch as carnivores and hyenas. Some place names have also become adjectives; like Sahrayeh Karbala & Resurrection. Manuscript profile
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  10 - Critique of Reza Zangiabadi's Novel "Shekar-e Kabk (Hunting in Quebec)" Based on Jacques Lacan Psychology’s Theory
  ayoob moradi
  20.1001.1.17351030.1400.19.62.1.5
  Jacques Lacan is undoubtedly one of the most influential figures in the science of psychology after Sigmund Freud, whose ideas have been influential not only in the field of psychology, but also in other fields such as literature, anthropology, social sciences and women More

  Jacques Lacan is undoubtedly one of the most influential figures in the science of psychology after Sigmund Freud, whose ideas have been influential not only in the field of psychology, but also in other fields such as literature, anthropology, social sciences and women's studies. The most important idea of this contemporary psychologist is to describe the process of individuality under the threefold system of imaginary and symbolic and the realm of reality. Reza Zangiabadi's novel "Shekar-e Kabk (Hunting in Quebec)" is one of the remarkable works of recent years, which, in addition to its success among the audience, has been selected as a novel by the jury of the 12th Golshiri Foundation Literary Award. This novel tells the story of an innocent teenager who turns into a ruthless murderer due to the hardships and events of life. The present article, written in a descriptive-analytical manner, seeks to examine the process of transforming Ghodrat from an innocent adolescent into a psychotic and isolated person, using Jacques Lacan's ideas. The results show that the transition of this character from the imaginary to the symbolic realm, which is accompanied by the absence of the mother, due to the negative and dysfunctional role of the father -which according to Lacan is the subject's psychological node in the symbolic realm- causes his permanent suspension and suspicion of social order. As a result, she has taken refuge in maternal objects. This is in conflict with the nature of the symbolic realm and results in mental disorders such as paranoia, fear, isolation and suspicion in the subject. Manuscript profile