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1 - The Review of Time Processing in Shams Ghazals: Applying Stream Of Consciousness Technique
مینا بهنام ابوالقاسم قوام Mohammad taghavi محمدرضا هاشمی

Some of Molavi’s ghazals have specific features that guide readers’ mind through intellectual basics of stream of consciousness works. The study reviewed the category of Time in Molavi’s ghazals using theoretical bases of this technique about Time. Research hypothesis i More

Some of Molavi’s ghazals have specific features that guide readers’ mind through intellectual basics of stream of consciousness works. The study reviewed the category of Time in Molavi’s ghazals using theoretical bases of this technique about Time. Research hypothesis is as follows: time warps, repetitive round trips to past and present time during every Ghazal and the importance of present time in creation moment of Molavi’s poem. We can divide time in his Ghazals, in a general categorization, to two linear-continuous and nonlinear- discontinuous kinds. Second kind of time closes Ghazals to stream of consciousness works. Measuring basis for time warps is start moment of Ghazal in the study. Molavi, based on rule of free association dominating his mental domain travels from present to past, past to present, and in some cases, travels to future reviewing past mementos and in some cases, time warps and round trips to past and present are so fast and continuous. This issue can affect language, narrative methods, kind of imagery and other cases in Ghazal. Manuscript profile
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2 - An Archetypal Critic of a Sonnet by Rumi
maryam آخسسثهده

Archetypal criticism is one of the modern theories in literary criticism and based on psychological criticism; mainly founded on the theories of the famous Swedish psychologist; Carl Gustav Yung. This type of criticism surveys and studies the archetypes used in a work, More

Archetypal criticism is one of the modern theories in literary criticism and based on psychological criticism; mainly founded on the theories of the famous Swedish psychologist; Carl Gustav Yung. This type of criticism surveys and studies the archetypes used in a work, showing how the poet or writer’s mind has absorbed these archetypes, which are actually the outcome of mankind’s repetitive experiences and left behind in the collective unconsciousness of humankind, finally showing them symbolically. The purpose of this essay is to survey one of Rumi’s sonnets through archetypal criticism. The writer makes an attempt to explain this criticism in brief first, then show how Rumi’s conscious spirit has succeeded to ponder and penetrate deeply into the truths of universe and understand the imagery instances; using them unconsciously in his own sonnets. The archetypal content dominant in the atmosphere of this sonnet, starting with: Morde Bodam Zende shodam, Gerye Bodam, Khande shodam Dolat e Eshgh Amad o man, dolat e Payande shodam is the archetype of death and rebirth. When the theory of death and rebirth is discussed, there are allusions to Bible and the Holy Quran. According to Yung, rebirth is one of the most fundamental beliefs derived from coordination between mankind and the nature’s cycle. In this sonnet, in addition to the theory of rebirth, the archetypes of wise old, hero, and other archetypal instances such as yearning and divine journey are also seen. Manuscript profile
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3 - Study of Rumi and Rumi-Researchers in English Speaking Countries
Ahmad تميم‌داري

The subject of this paper relates to comparative literature and the impact the literary figures, thinkers and illustrators have taken from Persian literary works; especially Rumi’s most significant and prominent works. The method of research in this essay is referentia More

The subject of this paper relates to comparative literature and the impact the literary figures, thinkers and illustrators have taken from Persian literary works; especially Rumi’s most significant and prominent works. The method of research in this essay is referential and inductive. We have made an attempt to become familiar with the great American and English men of letters; ones who have compiled important works through either translation or adaptation and made a serious effort to introduce the Persian literature, especially Rumi’s poetry in the English speaking countries. Since the eighteenth century, and following movements such as studying Iran, Islam, and the East, Persian literature was noticed and therefore some of the literary men, scientists, and illustrators begun translating and adapting the Persian literary works. It was in the same century that the study of Rumi’s works became significant. The English and American Transcendentalists both idealized the school of Transcendentalism through studying and having researches on Rumi’s works. It was about late nineteenth century, in 1870, that Mankar Daniel Canoy published The Sacred Anthology of Oriental Texts. Some of Rumi’s stories stated the ideals of social moral and behavioral issues. William R. Alger, one of Emerson’s friends, published The First American Anthology of Oriental Literature. Edward J. Brown translated the prose introduction of The First Volume of Massnavi into English. The climax of studies on Rumi’s works was done by Reynold Elaine Nicholson; who published eight books for the interpretation and paraphrase of Massnavi and actually devoted fifteen years of his life to this issue. Arthur J. Arbery is counted as one of the great thinkers in the field of Rumi studies. James J.Koan, an art teacher, rewrote fifty of the selected poems from Nicholson’s Poetry- taken from Shams Tabrizi’s Book of Poetry- in a modern poetic structure. And finally Andrew Harroy created some works as memorials of Rumi’s works. Manuscript profile
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4 - Examining the meaning of imperative propositions in Hafez's lyric poems and their relationship with Hafez's personal style
asghar shahbazi
20.1001.1.17351030.1400.19.61.5.7

Examining the meaning of imperative propositions is one of the topics related to rhetoric (semantics). As a result of this study, it is possible to follow the orientation of poets' thoughts and interests on various topics; Because usually the initial interpretation of More

Examining the meaning of imperative propositions is one of the topics related to rhetoric (semantics). As a result of this study, it is possible to follow the orientation of poets' thoughts and interests on various topics; Because usually the initial interpretation of imperative propositions is imperative and order, while poets consider different meanings and intentions of imperative propositions, and this issue is more important in Hafez's poems due to the analytical-inferential structure of imperative sentences; A topic that unfortunately has not been well explored. Therefore, in this article, Hafez's imperative propositions in the first 250 lyric poems of Hafez's Divan have been studied by content analysis method (descriptive-analytical approach) and finally it has been determined that in the first 250 lyric poems of Hafez Divan (equivalent to 2098 bits), in 724 verses,there are imperative sentences (554 beits have a positive imperative and 170 beits have a negative imperative) and Hafez is a great imperativeer from this point of view.Of these, the frequency of imperative sentences with the meanings of desire and guidance is high, and perhaps this is one of the reasons for Fortune telling with Divan Hafez.In more than 35% of these poems, the construction of compound imperative sentence-analytic / inferential sentences is used, in such a way that the reader, after reading those imperative sentences, is mentally convinced and forgets the bitterness of the advice. In this article, Hafez's imperative sentences are also examined based on the type of speaker, audience and demand, and in all cases, an attempt is made to find a connection between Hafez's personal style and its results. Manuscript profile

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