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      • Open Access Article

        1 - The Impressibility of Sa’di from Firdausi based on the Theory of Transtextualite
        زينب  نوروزي وحید  علی بیگی سرهالی
        The works of Sa’di are among the best masterpieces of classic Persian texts who is the full-fledged representative of Persian Culture and Literature. He had been under effect of old texts and there is an obvious relation between Sa’di prosaic works and older works befor More
        The works of Sa’di are among the best masterpieces of classic Persian texts who is the full-fledged representative of Persian Culture and Literature. He had been under effect of old texts and there is an obvious relation between Sa’di prosaic works and older works before him. One of these works is Shahname by Firdausi. The aim of this study is to show and prove this textual relation between Sa’di works and Shahnameh of Firdausi which is based on the Theory of Transtextualite by Gérard Genette which is a perfect theory regarding the intertextual relations; we reviewed all links between Sa’di and Firdausi works in all aspects and came to this conclusion that Sa’di works are a complete sample of Transtextualite which is proved by providing evidences, analytic-descriptive method and their explanations and interpretations; so the full presence of Transtextualite in Sa’di works is proved in this regard. Manuscript profile
      • Open Access Article

        2 - The Status of Musicianship and Tradition of Verbal Narration in Old Persian Literature and Reviewing Historical Evolution of Composer-Narrators in the Process of Rhyming Heroic Narrations
         
        One of the main areas whose historical evolution was highly affected by composers and narrators from ancient time to Islamic era is Shahname-composing and verbal epics. Composing hymns and forming narrations and epic stories via combining and quoting broadcasting of the More
        One of the main areas whose historical evolution was highly affected by composers and narrators from ancient time to Islamic era is Shahname-composing and verbal epics. Composing hymns and forming narrations and epic stories via combining and quoting broadcasting of these narrations had made many epic stories. Ancient kinds of narrators like musicians, singers and minstrels were replaced by later narrators of later eras like narrator-nightingales and storytellers; forming written literature based on oral (i.e. unwritten) literature is the most important feature in this area. This article dealt with the status of oral narration tradition in ancient Iran and continuing of literary traditions related to this in Shahname-composing and forming oral Persian epics in Islamic Era Literature and reviewed the role of these narrator-composers in process of rhyming epic narrations. Manuscript profile
      • Open Access Article

        3 - Criticizing the wisdom in Shahnameh
        فریده  وجدانی
        This paper tries to demonstrate Ferdowsi`s concern toward the golden period of Iranian civilization in which wisdom was a distinctive factor through the application of a descriptive-analysis approach. Moreover, it aims to explain the significance of the wisdom in Irania More
        This paper tries to demonstrate Ferdowsi`s concern toward the golden period of Iranian civilization in which wisdom was a distinctive factor through the application of a descriptive-analysis approach. Moreover, it aims to explain the significance of the wisdom in Iranian ancient culture to which this poet belongs as well as the place of wisdom in Shiite religion of which he was one of its followers. None of these factors, however, have dissuaded him, the scholar who believed and accepted the wisdom by his own personal talent, from considering negative and indecent aspects of the wisdom. Hence, despite the popular belief, not only does not Shahnameh praise the wisdom but also talks about noxious wisdom and its problems. As a result, this research could remove the existed ambiguity in the reading of the fourth verse of Shahnameh`s introduction, under the title of “in praise of the wisdom”, and could attract the reader to pay attention to Ferdowsi’s point of view about criticizing the wisdom. It is necessary to point out that, in spite of seeking for the related sources, the author could not uncover any background which may cover the proposed reading of the aforementioned verse and also any related resource about “criticizing the wisdom in Shahnameh.” Manuscript profile
      • Open Access Article

        4 - A Framework for Studying the Epic Language
        اصغر  شهبازی مهدی  ملک‌ثابت
        One of the issues in modern criticism is the study of language of the literary works. The framework suggested for studying the epic language has focused on the reading of the language of epic poetry at different phonological and musical, morphological and syntactic, rhe More
        One of the issues in modern criticism is the study of language of the literary works. The framework suggested for studying the epic language has focused on the reading of the language of epic poetry at different phonological and musical, morphological and syntactic, rhetorical and literary as well as theatrical levels in order to describe the quality of literary type of epics in language. For this purpose, through the innovative critic theories, mainly formalism, and based on the standard epic language (Shah-nameh Ferdowsi), the framework has been suggested for the study of the epic language at different levels. Subsequently, the paper is going to clarify the necessary indicators and illustrate the quality of them in the epic language by applying a number of evidences from epic texts, in particular Shah-nameh Ferdowsi, in order to access two goals: not only achieving the indicators of epic language but also examining them in the epic poetry and finding how the poems after Ferdowsi were or were not successful in the application of the epic language. According to this framework, it has been shown that Bazel Mashhadi, for instance, has not been successful in his using of the epic language. Moreover, the epic poetry as well as its created images, in some different aspects such as rhythms, composition and coherence, has a range of deficits as well. Manuscript profile
      • Open Access Article

        5 - A Contrastive Study of Kārnāme-e Ardešīr-e Bābakān with the Legends of the Book Attributed to Barsuma Based on the Movses of Khoren’s Report
        محمدرضا  اميني
        There exists important information about a Greek book on Persian history and legends recorded in the writings of Movses of Khoren, the first Armenian historian of the 5th century. Part of the book seems comparable to Kārnāme-e Ardešīr-e bābakān) or Book of the Deeds of More
        There exists important information about a Greek book on Persian history and legends recorded in the writings of Movses of Khoren, the first Armenian historian of the 5th century. Part of the book seems comparable to Kārnāme-e Ardešīr-e bābakān) or Book of the Deeds of Ardešīr, Son of Papag. In his short report, some of the legends relate to Ardešīr, and some relate to other Persian mythical and historical figures. However, most researchers, and among them Theodor Nöldeke, have attributed these legends exclusively to Ardešīr I, a mistake that caused some inaccurate conclusions particularly about the legend of Cyrus’s childhood and upbringing. Besides, Khorn’s report, including the author’s name, and the name of its Persian translator, has totally been ignored. The present paper explains our reasons for rejecting the false common claims, and tries to make a close analysis of Khoren’s report based on linguistic principles and the latest researches of the Armenian researchers, and then compare it with Kārnāme. Meanwhile, it clarifies the identities of the book’s author and the translator, giving their correct names already recorded disorderly and in just few resources. To make sure, legends in Khoren’s text is contrasted with its French and Armenian translations, Kārnāme, and Shāhnāme. The findings of the research can be used in studies on Kārnāme-e Ardešīr-e bābakān, the mythology and literature of the Ancient Iran, the ancient history of Persia and the West, and particularly the lost resources like Khodāy- Nāmak (Book of Kings). They can also be beneficial in evaluating Khoren’s style of historiography. Manuscript profile
      • Open Access Article

        6 - Investigating the Dramatic Aspects of Rostam and Sohrab Story in Shahnameh Based on Aristotle’s Views on Drama
        داود  حاتمي
        Among the mythological, heroic, and historic stories in Shahnameh, the heroic ones are of better ground and more fascinating perspectives for study than the others. Isolation of heroic function from the functions of mythological-king-hero character and its appearance in More
        Among the mythological, heroic, and historic stories in Shahnameh, the heroic ones are of better ground and more fascinating perspectives for study than the others. Isolation of heroic function from the functions of mythological-king-hero character and its appearance in a particular character named hero, with his own actions and feelings that are increasingly similar to a common human behaviors and emotions on one hand, and Ferdowsi’s (the poet’s) tendency to investigate and interpret the hero’s internal motivations facing epical events, on the other hand, have made the characterization aspect of the work deeper and more elaborate, and also promoted the structure of the story from a mere heroic narration to a dramatic structure with its embodiment potential, that latter effect is more prominent in some of the heroic stories. The study of dramatic aspects of these stories, in addition to understanding the dramatic potentials, helps their typology be more methodological and exact. This article, selecting one of the most well known heroic stories of Shahnameh, i.e. Rustam and Sohrab story, and through an introductory emphasis on the originality of its Iranian version, compared with the non-Iranian ones, attempts to investigate its dramatic aspects based upon Aristotle’s Poetica, as the most ancient and, at the same time, credible thesis on recognizing drama and its mechanism in the context of the classic verse and prose works; and presents its own results. Manuscript profile
      • Open Access Article

        7 - Shahnameh in the Arab World
        قاسم  مختاري محمود  شهبازي مژگان  نصيري
        Firdowsi is the famous Iranian poet who, by composing the epic of Shahnameh (The Book of Kings), secured a prominent place for himself in Persian literature. The first Arabic translation of the book was made in the 7th century A.H. by Fath Ibin Ali Bondari Isfahani by t More
        Firdowsi is the famous Iranian poet who, by composing the epic of Shahnameh (The Book of Kings), secured a prominent place for himself in Persian literature. The first Arabic translation of the book was made in the 7th century A.H. by Fath Ibin Ali Bondari Isfahani by the decree of Malek Mo’adham Issa Ayoubi. However, the translation being in prose and consequently ignoring almost all the aesthetic aspects of the book, had literally no influence on Arab writers. In the current century and thanks to the indefatigable attempts of some Arab writers and critics, such as the prominent Arab scholar Abd-al-Vahhab Izam who also knows Persian very well and has conducted many researches on Shahnameh in Arabic, Shahnameh has found its place among Arab authors and poets who confessed the greatness of Ferdowsi’s unique work. However, the stories of Shahnameh did not reflected that much in Arabic poetry. There may be three reasons for this fact: tendencies to western literature, prose translations of shahnameh where its poetic features have been lost, and the lack of an epic heritage in Arabic literature. Manuscript profile
      • Open Access Article

        8 - The Proportion of Colors in Imagery and Shah-Nameh’s Narrative Core
        اكرم  جودي نعمتي
        one of the important elements related to imagery in the close analysis of any poet’s stylistic levels, is color; which associates his thoughts and passions on one hand, and subject and theme of the poetic work on the other hand. Therefore the analysis and survey of the More
        one of the important elements related to imagery in the close analysis of any poet’s stylistic levels, is color; which associates his thoughts and passions on one hand, and subject and theme of the poetic work on the other hand. Therefore the analysis and survey of the manner in which color is utilized within stylistic poets’ works- who do not copy others’ works- is a path for recognizing their inner world; while it is also a critical approach on their artistic and literary potentialities in using a variety of imagery elements. For this purpose, the present article surveys the process used for utilizing color in Ferdowsi’s imagery and the poet’s concern about proportion and the consistency of colors along with the narrative core within Shah-Nameh stories. It is revealed that color lacks any originality in Ferdowsi’s imagery; yet there is a meaningful relation between the function of color with the content, events and the incidents taking place through the story. That is why the color of the heroes’ horses coordinates in many instances with the story’s core narrative and the etymology of their owner; while the bradawl of each hero appears with a specific and certain color and role. What is more, the color of the tent of each individual famous figure differs with the other ones. These issues have the potential for a symbolic paraphrase in some cases and show Ferdowsi’s ability in using all and every literary potentiality. In this essay through showing the used frequency of each color in Shah-Nameh, the accurate comparison of colors has become possible; showing that 53.69% of the atmosphere of the used colors in Shah-Nameh, belongs to cold and dark colors due to war, and epical atmosphere and the black colors, as a group, possesses 33.29% as the most used color. Manuscript profile
      • Open Access Article

        9 - The Analysis of Siavash's Story Based on Yung's Theories
        ابراهيم  اقبالي حسين  قمري گيوي sakineh moradi
        The deep researches of Carl Gustav Yung in the field of myths and his findings has turned into a basic working material for many of the critics in the study and survey of literary works. In the present research, Ferdowsi's Shah-Nameh, especially the story of Siavash- as More
        The deep researches of Carl Gustav Yung in the field of myths and his findings has turned into a basic working material for many of the critics in the study and survey of literary works. In the present research, Ferdowsi's Shah-Nameh, especially the story of Siavash- as a great series of the Iranian historical and mythological narratives in ancient times- was studied. This story was evaluated within the framework of Yung's process of individuality, and also the archetypes of "self", the hero, shadow, persona, the old wise man, oneself, reactions, and the function of the heroes and the characters in Siavash's story. Then the manifestation of each single archetype was defined as a major issue in this research. At the same time the presence of archetypes such as Anima, Animus, Mother, Mandela, Manna and Rebirth are also of notice in here. The method of research in this study is based on the analysis of content. The results of this study show that Afrasiab stands for the archetype of shadow, while Rustam stands for the archetype of hero, and Afrasiab's interpreter expresses the archetype of the old wise man. Also the archetype of the self is manifested in Keykhosrow's character. Still the ascent of Keykhosrow and Siavash's death are examples of death and rebirth in the Shah-Nameh. The repetition of these themes in the three mythological, heroic and historical sections of the Shah-Nameh show the harmony and integration among these three parts in the method of expressing the archetypes, while it expresses this point that the major theme of the archetypes appears constantly; yet in various shapes and forms. Manuscript profile
      • Open Access Article

        10 - Rostam vs. Arjan A Comparative Study of the Characters In Shahname and Mohabaharat
        حسينعلي  قبادي Alireza  Siddiqui
        Mohabahart is an Indian work of epic, which narrates the war of Pandowan between the five sons of Raja Pand and gurus, the sons of Raja, to rule over a region called, Hastnapur. In this eighteen-day war, Pandowan defeats his cousins. Arjan, one of the characters, who s More
        Mohabahart is an Indian work of epic, which narrates the war of Pandowan between the five sons of Raja Pand and gurus, the sons of Raja, to rule over a region called, Hastnapur. In this eighteen-day war, Pandowan defeats his cousins. Arjan, one of the characters, who shoulders a large number of responsibilities during different events, resembles Rostam in many ways. It is the objective of this paper to compare the two champions: their relations with gods, their marriage in a foreign land, having a son, becoming aware of revitalizing herb, going on seven dangerous journeys, and finally each killing his own brother. Attempts have been made to prove that due to the immigrations of the tribes from Iran to India, the Iranian beliefs, customs, and mythology, have had a profound impact on Indian epics. Manuscript profile
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        11 - A comparison between the stories of Khosro and Shirin by Ferdowsi and Nezami
        حسن  شاهی‌پور
        This article is aimed at comparing two stories of Khosro and Shirin written in two different verses. First, a summary of two verses namely Shahname and Khosro and Shirin are presented as a total framework and outline of the stories in front of the readers’ eyes. The More
        This article is aimed at comparing two stories of Khosro and Shirin written in two different verses. First, a summary of two verses namely Shahname and Khosro and Shirin are presented as a total framework and outline of the stories in front of the readers’ eyes. Then two versions of the story have been compared with a historic source in order to reveal that which of the poets was more obligated to the historical narration. Certainly the refer should be made to a source which had been written before the two verses were written because it is highly probable that the dates following the two verses had been effected by one of them. Meanwhile, the stories might have been changed through the history. For this reason we have chosen the book Tarikhe Tabari which is the oldest source in order to measure the two summaries. There were some points in Tarikhe Tabari, not written in Shahname or Khosro and Shirin. In such a case, we referred to the books Majmaoltavarikh and Tarikhe Saalabi written before Nezami period. Manuscript profile
      • Open Access Article

        12 - An Archeological Account of Kiumarth as Narrated in Shahnameh
        حسن  شاهی‌پور عبدالله  واثق عباسی
        Mythologists have adopted various approaches to the study of myth. But, archaeological approach to myth is unprecedented. There were some attempts like that of euhemerists to degrade the mythical gods, suggesting that they are real personages (humans) by desanctifying t More
        Mythologists have adopted various approaches to the study of myth. But, archaeological approach to myth is unprecedented. There were some attempts like that of euhemerists to degrade the mythical gods, suggesting that they are real personages (humans) by desanctifying them. Though, none of these attempts were based upon archeology which can be considered a new science, and also is deeply different from what has been done in this research. This paper aims at analyzing the mythical character of Kiumarth according to archeology. The surprising result of this research is as follows: Kiumarth era matches Mesolithic period and Kiumarth man matches Neanderthal man and his culture matches Mousterian culture, and the climate at his era matches the last glacial climate. Methods used in this research are derived from archeology (stratigraphy and typology). This study can be a starting point for exploring myths from an archeological perspective. Manuscript profile
      • Open Access Article

        13 - Peace-sodality Iranians in the story of Fereydoun (One of Ferdowsi's Intellectual Features of his Epic)
        mohammad reza Keyvanfar Parvaneh A’del Zadeh kamran pashaei fahkri
        This article seeks to examine how the Iranian heroes think about peace in Fereydoun story. In this story, several peaceful methods are discussed. The wide distribution of wealth among the needy by Faraanak, the division of the world into three parts and pluralism in the More
        This article seeks to examine how the Iranian heroes think about peace in Fereydoun story. In this story, several peaceful methods are discussed. The wide distribution of wealth among the needy by Faraanak, the division of the world into three parts and pluralism in the method of governance, and the avoidance of individuality in the division of the world, which is the work of Fereydoun, Emphasis on dialogue in resolving conflicts among heroes and relying on finding a solution to peace and absolute rejection of violence, avoiding the use of military force to resolve disputes, not belonging to the world and avoiding stubbornness and struggle to stay in the power that is the characteristic of Iraj in front of his brothers, paying special attention to justice, and avoiding oppression and tyranny in Fereydoun's actions and speech. What Fereydoun has benefited from, as well as the actions of the words and thoughts of the Iranian heroes in Fereydoun's story, are in line with today's peaceful views. Manuscript profile
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        14 - A Comparative Study of Bouransasani’s Monarchy in The Ferdowsi’s Shahname and Historical Sources (in a Critical Review of a Challenging Verse)
        Akram Joudi Nemati
        Bouran became as the ruler of Sassanid Empire just before downfall of the empire and she was praised in Shahnameh; however, at the beginning of Bouran’s reign, Ferdowsi quotes: “there was a girl named Bouran/ things do not go well, when a woman becomes king”. This verse More
        Bouran became as the ruler of Sassanid Empire just before downfall of the empire and she was praised in Shahnameh; however, at the beginning of Bouran’s reign, Ferdowsi quotes: “there was a girl named Bouran/ things do not go well, when a woman becomes king”. This verse has an obvious contradiction with next verses and and according to this verse, it seems that the decay of empire at that time was a result of her reign. In order to answer to the question of "which of the two contradictions is true" and "what could be the cause of the mentioned contradiction", the article author has compared the Shahnameh's claim about Bouran's statecraft with historical sources. Research data show that there’s no report of inefficiency in Bouran’s governance, and all historians, in more detail than Ferdowsi, have reported her governing as good. So, why did Ferdowsi compose such a poem? The author, by proposing related hypotheses, concludes that this verse is not related to how Bouran governs, but it has been due to Ferdowsi's commitment to the presuppositions that were formed in related to the religious beliefs in his time. Tracing the presuppositions leads us to a hadith of the Prophet (PBUH): "A nation that leaves its affairs to a woman will never be successful.” The hadith documents do not confirm its validity, and its not even mentioned about in early Shiite sources; But its socio-cultural shadow has led to the presumption that if a woman becomes monarch, the country will be ruined. So, the poet has remained in contradiction between those historical facts and this social presupposition, and the result has been a contradiction in composing the story of Bouran. However, the Shahnameh as a whole, does not confirm the society negative view to the women. Manuscript profile