Meaning, Language, Image in “The End of Shahnameh” a poetry by Mehdi Akhavan Salis (M. Omid)

Subject Areas : Research in Iranian classical literature

1 - Tarbiat Modares University
2 -

Received: 2015-08-29 Accepted : 2015-11-02 Published : 2011-12-21

Keywords: Mehdi Akhavan Saleth (M. Omid) Poetry Structure meaning language image,

Abstract :

“The End of Shahnameh”, is consisted of the poems written in 1335-1338 SH by Akhavan. It can be considered as the acme of the poet’s mature style. Here in this article we try to study the poem ‘The End of Shahnameh’, which is one of the best in the collection. Having introduced poetry, its features and elements, in general, and some approaches to literary criticism, we will study and interpret the mentioned poem using a combination of approaches, and regarding the interactions of meaning, language, and image, as the three major structural elements of poetry.

References:

The Process of Shortening Proper Nouns in Farsi
Print Date : 2014-12-21
A Corpus-based Approach toward Modal Verbs of Six Texts from 6th Century
Print Date : 2014-12-21
The co-education of Khorshid Shah and Ridak: the Comparison of Education in Two Texts of Khosrow Ghobadan and Ridaki (Pre-Islamic) and Samak Ayyar (6th Century Hegira)
Print Date : 2014-12-21
Repetition and its Rhetorical Values in Farrokhi Sistani Poetry
Print Date : 2014-12-21
Reviewing relative features of women in Farsi Proverbs
Print Date : 2014-12-21
Brevity and Deletion in Contemporary Poetry (Focusing on Nima Yushij, Ahmad Shamlu, Mahdi Akhavan Sales, Sohrab Sepehri, and Yad-al Allah Ro’yaei)
Print Date : 2014-12-21

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Meaning, Language, Image in “The End of Shahnameh” a poetry by Mehdi Akhavan Salis (M. Omid)