﻿<?xml version="1.0" encoding="utf-8"?><ONIXDOISerialArticleWorkRegistrationMessage xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.editeur.org/onix/DOIMetadata/2.0 https://www.medra.org/schema/onix/DOIMetadata/2.0/ONIX_DOIMetadata_2.0.xsd" xmlns="http://www.editeur.org/onix/DOIMetadata/2.0"><Header><FromCompany>Sinaweb</FromCompany><FromPerson>Sinaweb DOI</FromPerson><FromEmail>doi@sinaweb.net</FromEmail><ToCompany>mEDRA</ToCompany><SentDate>20261001</SentDate><MessageNote>DOI Registration</MessageNote><NotificationResponse>01</NotificationResponse></Header><DOISerialArticleWork><NotificationType>06</NotificationType><DOI>10.66224/adabiat.1404.50567</DOI><DOIWebsiteLink>http://literature.ihss.ac.ir/Article/50567</DOIWebsiteLink><RegistrantName>Sinaweb</RegistrantName><RegistrationAuthority>mEDRA</RegistrationAuthority><SerialPublication><SerialWork><Title><TitleType>01</TitleType><TitleText>Pazhūhish-i Źabān  va Adabiyyāt-i Farsī</TitleText></Title><Title><TitleType>05</TitleType><TitleText>adabiat</TitleText></Title><Publisher><PublishingRole>01</PublishingRole><PublisherIdentifier><PublisherIDType>01</PublisherIDType><IDValue>4605</IDValue></PublisherIdentifier><PublisherName>Institute of Humanities and Social Studies</PublisherName></Publisher><CountryOfPublication>IR</CountryOfPublication></SerialWork><SerialVersion><ProductIdentifier><ProductIDType>01</ProductIDType><IDValue>4605</IDValue></ProductIdentifier><ProductForm>JB</ProductForm></SerialVersion></SerialPublication><JournalIssue><JournalVolumeNumber>1</JournalVolumeNumber><JournalIssueNumber>79</JournalIssueNumber><JournalIssueDesignation>2</JournalIssueDesignation><JournalIssueDate><DateFormat>01</DateFormat><Date>140212</Date></JournalIssueDate></JournalIssue><ContentItem><SequenceNumber>1</SequenceNumber><TextItem><TextItemType>10</TextItemType></TextItem><Title><TitleType>01</TitleType><TitleText>The Romantic nature and the function of the chronotope of the ruins and wreckage﻿."</TitleText></Title><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Setareh Madani</PersonName><PersonNameInverted>Madani , Setareh</PersonNameInverted><NamesBeforeKey>Setareh</NamesBeforeKey><KeyNames>Madani</KeyNames></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Alireza Nikouei</PersonName><PersonNameInverted>Nikouei , Alireza</PersonNameInverted><NamesBeforeKey>Alireza</NamesBeforeKey><KeyNames>Nikouei</KeyNames></Contributor><Contributor><SequenceNumber>3</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Shayesteh sadat Mousavi</PersonName><PersonNameInverted>Mousavi , Shayesteh sadat</PersonNameInverted><NamesBeforeKey>Shayesteh sadat</NamesBeforeKey><KeyNames>Mousavi</KeyNames></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><PublicationDate>202402</PublicationDate><CopyrightStatement><CopyrightYear>2024</CopyrightYear><CopyrightOwner><PersonName>Setareh Madani</PersonName></CopyrightOwner></CopyrightStatement></ContentItem></DOISerialArticleWork><DOISerialArticleWork><NotificationType>06</NotificationType><DOI>10.66224/adabiat.1404.51981</DOI><DOIWebsiteLink>http://literature.ihss.ac.ir/Article/51981</DOIWebsiteLink><RegistrantName>Sinaweb</RegistrantName><RegistrationAuthority>mEDRA</RegistrationAuthority><SerialPublication><SerialWork><Title><TitleType>01</TitleType><TitleText>Pazhūhish-i Źabān  va Adabiyyāt-i Farsī</TitleText></Title><Title><TitleType>05</TitleType><TitleText>adabiat</TitleText></Title><Publisher><PublishingRole>01</PublishingRole><PublisherIdentifier><PublisherIDType>01</PublisherIDType><IDValue>4605</IDValue></PublisherIdentifier><PublisherName>Institute of Humanities and Social Studies</PublisherName></Publisher><CountryOfPublication>IR</CountryOfPublication></SerialWork><SerialVersion><ProductIdentifier><ProductIDType>01</ProductIDType><IDValue>4605</IDValue></ProductIdentifier><ProductForm>JB</ProductForm></SerialVersion></SerialPublication><JournalIssue><JournalVolumeNumber>1</JournalVolumeNumber><JournalIssueNumber>79</JournalIssueNumber><JournalIssueDesignation>2</JournalIssueDesignation><JournalIssueDate><DateFormat>01</DateFormat><Date>140212</Date></JournalIssueDate></JournalIssue><ContentItem><SequenceNumber>1</SequenceNumber><TextItem><TextItemType>10</TextItemType></TextItem><Title><TitleType>01</TitleType><TitleText>Adaptation and Analysis of the Image of the "Savior" in Contemporary Poetry (Based on Arash Kamangir, Morgh Amin, and Someone Who Is Like No One)</TitleText></Title><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>saeid bozorg bigdeli</PersonName><PersonNameInverted>bozorg bigdeli , saeid</PersonNameInverted><NamesBeforeKey>saeid</NamesBeforeKey><KeyNames>bozorg bigdeli</KeyNames></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>sara hosseini</PersonName><PersonNameInverted>hosseini , sara</PersonNameInverted><NamesBeforeKey>sara</NamesBeforeKey><KeyNames>hosseini</KeyNames></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><PublicationDate>202402</PublicationDate><CopyrightStatement><CopyrightYear>2024</CopyrightYear><CopyrightOwner><PersonName>sara hosseini</PersonName></CopyrightOwner></CopyrightStatement></ContentItem></DOISerialArticleWork></ONIXDOISerialArticleWorkRegistrationMessage>