The present article surveys Iran's cultural identity in terms of Hafiz' poetry. It is to prove that Hafiz paid especial attention to the cultural oppositions of his time and their manifestations in his language. The expressions such as Pir-e-Moqan (the Magian Elder), Ja More
The present article surveys Iran's cultural identity in terms of Hafiz' poetry. It is to prove that Hafiz paid especial attention to the cultural oppositions of his time and their manifestations in his language. The expressions such as Pir-e-Moqan (the Magian Elder), Jam-e-Jam (the world-displaying cup) Manichaeism, joy, and contents adapted from Shahnameh are indicative of the historical and mythological roots of Hafiz' poems in pre and post-Islamic Iran. The article studies the signs and traces of Persian-Islamic culture in Hafiz' poetry, and analyzing the lines having these signs, shows Hafiz' attempts to establish links between these concepts and the Persian-Islamic identity which caused strengthening the new geographical borders of Iran.
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